In the photographs of the jetty used in 1.3 (1) , (below) there is a clear line for the viewer to follow which naturally leads them out of the frame. The choice of the jetty was an attempt (of sorts) to provide a metaphor. In the same way as the jetty directs the viewers eye along its structure, so too does the jetty itself mirror the journey from land out to sea.
The use of the lines informed by the architecture of the forts in 1.3 (2) below seeks to give the sense that the picture is only part of a much bigger whole. Although I clearly had choice over what was contained within each of the photographs , the jetty images were dependent upon me ensuring that the entire seaward end of the structure remained in view. With the brickwork I was able to select aspects of the wall which could form a complete image in their own right, without needing to show the entirety of the fort.
Cropping vs framing:
Framing is the act of using the parameters of the lens as an indicator of what will appear in the final image. Naturally there are still creative choices to be made by the photographer as they compose the image.
Cropping is the act of removing elements of the photograph which detract from the overall image, in order to strengthen the final image. (The creative choice still rests with the photographer, as final arbiter of the editing process).
As an illustration, the two images above are cropped versions of the original photographs (below) taken in response to the brief for 1.3(1). I think that the image of the beach huts is much stronger in the cropped version, although I think the kite flyer on the beach image works equally as well both cropped and un-cropped because of the windblown sand in the foreground.