Exercise 1.3 (2) Line

“Take a number of shots using lines to flatten the pictorial space. To avoid the effects of perspective, the sensor/film plane should be parallel to the subject and you may like to try a high viewpoint (i.e. looking down). Modern architecture offers strong lines and dynamic diagonals, and zooming in can help to create simpler, more abstract compositions.”

Early evening walk around a couple of the Palmerston Forts built during the Victorian period on the recommendations of the 1860 Royal Commission on the Defence of the United Kingdom.

The works were also known as Palmerston’s Follies, partly because the first ones, around Portsmouth, had their main armament facing inland to protect Portsmouth from a land-based attack, which gave the impression that they faced the wrong way to defend from a French attack. Also because they were considered of questionable military value. The images above are from the inward facing walls of Forts Widley and Fort Purbrook.

I like the  abstract quality of the brickwork and slowly decaying windows and iron work and thought it would be a good source of a flattened image because of the large expanse of brickwork.

Wasn’t expecting the dog, but quite liked its juxtaposition with the CCTV camera!


Exercise 1.3 (1) Line

“Take a number of shots using lines to create a sense of depth. Shooting with a wide- angle lens (zooming out) strengthens a diagonal line by giving it more length within the frame. The effect is dramatically accentuated if you choose a viewpoint close to the line”.

Langstone Harbour. John Callaway [2016]

Langstone Harbour. John Callaway [2016]

Living by the sea, I wanted to try and use the projection of a jetty as a means of creating a sense of depth. There is a large expanse of blue sea and sky in each photograph. The aim was therefore to use the jetty as both the focal point and the sign post into the distance.

I think that both photographs do this quite well, although the second image (below) is a far stronger image, as there are less distractions. I think that the shingle and metal objects in the foreground of the image above still make an interesting photograph, but at the expense of drawing the viewer fully into the picture.

Jetty. John Callaway [2016]

Jetty. John Callaway [2016]